IL VERO MODO stands for a responsible, unconditional and (where necessary) radical approach to the understanding of historical performance practice. the consequences of this labour are unconventional, sometimes unexpected even by specialists. the two musicians sven schwannberger and thomas leininger   at the centre of a group of friends who embrace the same ideas   see no antithesis between respect for the work and self-confidence, any more than between heart and mind in connection with the music itself.